โNature, the inexhaustible resource of encounters worthy of speechless communication,โ declares Abbas Kiarostami in Fergus Dalyโs beautiful journey. How can cinema free itself of its anthropocentric and industrial determinations? Each of the films presented here offers a solution, be it iconographic or technical, whether it involves renewing a representation or producing oneโs own film reels, dancing with oneโs whole body with nature as oneโs partner or imagining a sound as animals might perceive it.