The Song of the Shirt (2021)

The work departs from Ernst Toller’s play “Die Maschinenstürmer” (1922), but relocates its themes along the remnants and ruins of the cotton industry, in post-2011 Egypt and post-industrial Poland. Actualizing a criticism of technology, the film re-reads the Luddites movement for a contemporary body of the worker that is always already informed by the histories of technological progress.

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