Mateus Lagoa and his wife Irene will celebrate their 20th wedding anniversary at a most luxurious resort on a tropical island, leaving their teenage son dangerously adrift. Before departure to paradise, during an unexpected night spent apart, the side effects of the vaccines strike them - fevers, fainting spells, shivers, hallucinations of all sorts. A melancholic mood creeps in and their world seems somehow fractured, capable of unsuspected and dangerous promises.
1907. Afonso, a doctor, arrives at Principe Island to cure servants from a cocoa plantation “infected” with Banzo, nostalgia of the slaves, who are dying from starvation and suicide. The group is confined to the forest, where Afonso decides to heal them by trying to understand what is affecting their soul. Will he manage to save them?
In Victorian London lives a man of adventurous spirit and great wit, Charles Augustus Howell, art agent, art dealer, conspirator and master of blackmail.
On her birthday, Joana's joy turns to despair when her abusive husband discovers her pregnancy and attempts to harm her. Fleeing the city, she finds refuge on a boat with criminals, but realizing the danger, she sees land beyond so leaps into the water and swims to Terceira Island, leaving her life behind. Exhausted on the shore, she encounters Chico, a lost child, during a religious ceremony. Joana arrives with the child, inadvertently becoming mistaken for a saint 'Our Lady of the Sea', revered by the island's faithful.
Pavese considered Dialogues with Leucò his best work. Eloquent and at the same time sententious and fragile, but implausible among humanized gods, demigods, heroes, and other pagan figures of Greek mythology, who question, through the imaginary of myths, the society of contemporary man. Out of a time and a certain space, and thus, and like all myths, always current.
When a boat loaded with cocaine sinks off his home island, Eduardo sees a risky but exciting opportunity to make money and fulfill impossible dreams.
Pessoa famously published under many heteronyms: around 75 different names, each with fully fleshed-out backgrounds, styles, appearances and philosophies. Taking this a step further, Não Sou Nada gives flesh to these characters, all working together under Pessoa, enacted by Miguel Borges, at the publishing house The Nothingness Club.
Catarina embarks on a dangerous journey to find who made her mother vanish. The Torres family seems to be the obvious suspect, but within them there's Vasco, the love of Catarina's life. Two opposed sides connected by love.