In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”
Albert Serra ([əɫˈβɛrt ˈsɛrə]; born October 10, 1975; Banyoles, Catalonia) is a Spanish filmmaker, contemporary artist and manager of the production company Andergraun Films, set up by Montse Triola primarily to produce Serra’s films. Besides writing, directing and producing films, Albert Serra writes and produces plays. Graduated in Spanish literature and comparative literature at the University of Barcelona, where he also studied art history. Serra has been called “one of the most singular and radical filmmakers working today.” He is also a big fan of classical music and chess. “I’m not interested in forcing a meaning onto a filmic story. In fact I’d even rather the audience know more than I do about the meaning of my films.”