New Year is a kind of milestone, the moment of summing up, making decisions. New Year is a new beginning, time to dream, make wishes and wait for miracles ... While all of Moscow is buying up gifts and decorating Christmas trees, Denis is desperately trying to manage to open the bar by December 31 and prove his worth to his father. Irina is more and more immersed in work, trying not to notice either the decorated office, or the approaching holidays, or her own loneliness. Nastya is a first-year student, all alone in a strange Moscow, misses her mother, works in a cafe and, smiling with all her strength, brings people joy and coffee. Sveta is Snegurochka, and to whom, how could she not be happy about the New Year and give others a festive mood, but she’s not going smoothly either: her beloved husband is completely immersed in the world of computer games and does not notice either his son, or Sveta, or reality.
British director Phelim McDermott offers the audience a new take on the culture of the people of Ancient Egypt in Aida, one that allows us also to question the world in which we live. This new perspective entails a number of bold creative choices that do not make use of the traditional staging imagery associated with Aida. Aida’s command to Radames — “Ritorna vincitor!” — comes at a price. The triumphal march of the victorious Egyptians is a procession for the coffins of the heroes fallen in battle, the chorus are their grieving kinsfolk. McDermott’s staging resonates keenly with the images of so many civilian and military funerals that crowd our newsfeeds. Here is a triumphal march that does not seek to hide the true, lethal and disastrous nature of war, whatever side you are on.
Contemporary Moscow. Nikita and Afina are the perfect couple: young, smart, attractive, and in love. Well, perfect, that is, until Afina suddenly leaves Nikita for a 40-year-old dentist. How will Nikita win her back?
Valery Gergiev conducts Mariusz Trelinski’s thrilling new production of these rarely heard one-act operas. Anna Netrebko stars as the blind princess of the title in Tchaikovsky’s lyrical work, opposite Piotr Beczala as Vaudémont, the man who wins her love—and wakes her desire to be able to see. Nadja Michael and Mikhail Petrenko are Judith and Bluebeard in Bartók’s gripping psychological thriller about a woman discovering her new husband’s murderous past.
A detachment of young fighters of the Russian Army breaks away from the main formation during a march, in order to shorten the path, runs across, but gets into a fog that takes him back to the past, during the Great Patriotic War. The guys who saw the war only in the movies fall into the clutches of the ruthless events of that time. Everything is on the edge: bravery, fear, love, hate, life, death. And there's no time to ask questions. Live, fight for the Motherland – it is one for all time.
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