Lying on a bunk bed in a children's home, eleven-year-old Lu talks with dreamy eyes about her mother, Karina, who claims to be a famous Hollywood actress who smells of oranges, talks to the stars and does her own stunts.
After the relationship with her girlfriend turns sour, Jona moves back in with her mother Mirjam. Their loving relationship is occasionally plagued by miscommunication and when Mirjam is secretive about her daughter's queer identity, the tension mounts. In Morgen doen we het beter, filmmaker Jottum Kok proposes a vision of generational conflict that can be overcome.