Writer, journalist, explorer, filmmaker, communist militant, freedom fighter. Truths and lies. A plot twist. Politician. General De Gaulle's shadow. Overwhelmed by the weight of power. The numerous exploits of André Malraux (1901-1976).
On October 4, 2018, France celebrated the 60th anniversary of the Fifth Republic. It is a republic born in the throes of the Algerian War and one which—from the day it was founded by General de Gaulle until the presidency of a very Jupiterian Emmanuel Macron—has been assailed as a “Republican monarchy” by partisans of a more assertive parliamentarian state. By revisiting the struggle of those who dared oppose the new regime — only to suffer a crushing defeat on September 28, 1958, when they were barely able to garner 20% of the vote against the constitutional text — this film shines a powerful new light on the origins of the Fifth Republic and its consequences for the next 60 years. It is a constitutional debate that planted the seeds for a complete upheaval of the French political landscape, on the left in particular, and set the country in motion toward what would be called the Union of the Left.
Charles de Gaulle, the first president (1958-1969) of the Vth Republic, France’s current system of government, left his mark on the country . He was statesman of action and has been compared to a monarch. This film depicts the general’s personality through the great events of his presidential term, at a time when the world was undergoing considerable changes.
Georges André Malraux (3 November 1901 – 23 November 1976) was a French novelist, art theorist, and minister of cultural affairs. Malraux's novel La Condition Humaine (Man's Fate) (1933) won the Prix Goncourt. He was appointed by President Charles de Gaulle as information minister (1945–46) and subsequently as France's first cultural affairs minister during de Gaulle's presidency (1959–1969). Malraux was born in Paris in 1901, the son of Fernand-Georges Malraux (1875–1930) and Berthe Félicie Lamy (1877–1932). His parents separated in 1905 and eventually divorced. There are suggestions that Malraux's paternal grandfather committed suicide in 1909. Malraux was raised by his mother, maternal aunt Marie Lamy and maternal grandmother, Adrienne Lamy (née Romagna), who had a grocery store in the small town of Bondy. His father, a stockbroker, committed suicide in 1930 after the international crash of the stock market and onset of the Great Depression. From his childhood, associates noticed that André had marked nervousness and motor and vocal tics. The recent biographer Olivier Todd, who published a book on Malraux in 2005, suggests that he had Tourette syndrome, although that has not been confirmed. Either way, most critics have not seen this as a significant factor in Malraux's life or literary works. The young Malraux left formal education early, but he followed his curiosity through the booksellers and museums in Paris, and explored its rich libraries as well. Malraux's first published work, an article entitled "The Origins of Cubist Poetry", appeared in Florent Fels' magazine Action in 1920. This was followed in 1921 by three semi-surrealist tales, one of which, "Paper Moons", was illustrated by Fernand Léger. Malraux also frequented the Parisian artistic and literary milieux of the period, meeting figures such as Demetrios Galanis, Max Jacob, François Mauriac, Guy de Pourtalès, André Salmon, Jean Cocteau, Raymond Radiguet, Florent Fels, Pascal Pia, Marcel Arland, Edmond Jaloux, and Pierre Mac Orlan. In 1922, Malraux married Clara Goldschmidt. Malraux and his first wife separated in 1938 but didn't divorce until 1947. His daughter from this marriage, Florence (b. 1933), married the filmmaker Alain Resnais. By the age of twenty, Malraux was reading the work of the German philosopher Friedrich Nietzsche who was to remain a major influence on him for the rest of his life. Malraux was especially impressed with Nietzsche's theory of a world in continuous turmoil and his statement "that the individual himself is still the most recent creation" who was completely responsible for all of his actions. Most of all, Malraux embraced Nietzsche's theory of the Übermensch, the heroic, exalted man who would create great works of art and whose will would allow him to triumph over anything. ... Source: Article "André Malraux" from Wikipedia in English, licensed under CC-BY-SA 3.0.