For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!
Andrea Tonacci (Rome, 1944 - São Paulo, 2016) was an Italian-Brazilian filmmaker, considered one of the main figures of the Cinema Marginal movement of underground filmmaking in 1970s Brazil. He moved with his parents to São Paulo when he was 11 years-old. A few years later, he studied Architecture and Engineering at the Presbiterian University of Mackenzie, but dropped both careers to purchase his dream of becoming a filmmaker. His first feature-lenght film, "Bang-Bang" (1971), was recieved with mixed opinions by the Cinema Marginal movement and was screened at the Director's Fortnight at the Cannes Festival. In 2006, his film "Serras da Desordem" got him the Kikitos for best photography, best picture and best director at the Gramado Festival of Brazilian Cinema. In 2010, he was given the Order of Cultural Merit, highest honor of the Brazilian Government to personalities who contribute to the development of Brazilian identity and culture. He passed away in December 16, 2016, a victim of pancreatic cancer.