Rio is driving her loving dump truck as usual, distressed by the fact that her partner Osamu is into gambling, never paying for anything. What is worse, there is a sign that she is pregnant. One day, Toyama, who is on the wanted list on charge of murder, arrives before Rio. Holding a kitchen knife, he orders her to take him to Yokohama, where his daughter lives. He abandoned her 10 years ago. Rio was freaking out at first, but having told that Toyama is dying of cancer, she tries to help him to meet his daughter.
To go to the same university with his girlfriend, Miki, Shuichi has moved to an apartment owned by her mother, only to find that all the other tenants are beautiful women-- Wakana, a secretary at a major corporation; Natsuki, an international flight attendant; Shizuka, a doctor; and Azumi, a teacher. These girls, led by Wakana come to his apartment to party every night. His dream to live with Miki soon begins to ship away, all the more so as his penis is too large to be intimate with her. Is he able to resist the seductions of his fellow tenants and make it with Miki?
As Morimi Shizuka leisurely sips a hot drink at the front door, a masked office worker on his way to work coughs visibly as he passes by. Shizuka, a practicing doctor, lives with her father Shigeru (Iijima), a research doctor working at a university hospital, and her younger sister Mai, but there is no word on the whereabouts of the sisters' mother. Shigeru has been feeling unwell since the night before, and as she takes a morning bath, Mai blares out loud music with no thought for her father, leaving Shizuka speechless. Mai unilaterally tells her sister that she is bringing her boyfriend home that day, and although Shizuka is concerned about Shigeru, she goes to work. Morimi Clinic is run by Shizuka and nurse Hase Shu (Salmon). However, Shizuka does not at all betray the impression of being laid-back, and in fact, her mood accelerates.
Asaki Natsukawa is a Japanese Adult Video performer who has also occasionally appeared in softcore productions and mainstream films.
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