As he approaches sixty, the time has come for Pierre Leprieur to take stock of his life. What did he accomplish and what did he mess up during his life? He was formerly an influential trade unionist on the docks at Le Havre. The passing years saw his relationship with his wife and his now-adult children subside. One evening, with his whole family gathered together to celebrate his birthday, the party is ruined. His sons, Jean and Simon, find themselves accused of mass drug trafficking. Whilst their sister, Emma, a criminal lawyer, tries to get them out of this difficult situation, Pierre, who si convinced that he is being targeted, does his utmost to help them. Yet he knows that if he roots around too much, he could end up unearthing truths best left untold.
As he approaches sixty, the time has come for Pierre Leprieur to take stock of his life. What did he accomplish and what did he mess up during his life? He was formerly an influential trade unionist on the docks at Le Havre. The passing years saw his relationship with his wife and his now-adult children subside. One evening, with his whole family gathered together to celebrate his birthday, the party is ruined. His sons, Jean and Simon, find themselves accused of mass drug trafficking. Whilst their sister, Emma, a criminal lawyer, tries to get them out of this difficult situation, Pierre, who si convinced that he is being targeted, does his utmost to help them. Yet he knows that if he roots around too much, he could end up unearthing truths best left untold.
One night, a woman in danger calls the police. Anna takes the call. A man is arrested. Weeks go by, the courts are looking for evidence, Aly, Anna and Dary have to deal with the echoes of that night they can't shake off.
Germain, an introspective retiree, abruptly becomes a widower at 75. He barely has the time to realize what has happened to him before his family forces their way into his daily life: non-stop phone calls and visits, meals and activities organized in advance – all meant to make his life as regular as clockwork. But Germain’s mind is elsewhere. Honoring a promise he made to his dear departed wife, he suddenly finds himself at the heart of a contemporary dance company’s newest work.
Near the Franco-German border, in the heart of the Black Forest and the binational military base; 12 bodies are found in a mass grave. All the victims are men, both French and German.
Jérémie, a young man reaching a breaking point on all fronts, decides to leave behind Paris and return to Limosin, to the home of his intrusive mother.
Astrid Whettnall (née Ullens de Schooten Whettnall, known as Astrid Whettnall; born 17 March 1971) is a Belgian stage and film actress. She studied at the Kleine Academy in Brussels and began working in theatre. Her film credits include Capital (2012), In the Name of the Son (2012), Salaud, on t'aime (2014), Yves Saint Laurent (2014), Marguerite (2015), and Close Enemies (2018). She received the Magritte Award for Best Actress for her work in Road to Istanbul (2016). She is daughter of Charles-Albert Ullens de Schooten Whettnall (1927-2006) and his wife Countess Madeleine Berndotte (b. 1938). Through her maternal grandfather Prince Carl Bernadotte, she is great-great-granddaughter of King Oscar II of Sweden and Norway and King Frederick VIII of Denmark; being she a third cousin of King Carl XVI Gustaf of Sweden, second cousin of King Philippe of Belgium and Grand Duke Henri of Luxembourg and second cousin, once removed, of Queen Margrethe II of Denmark and Queen Anne-Marie of Greece. She is also a descendant of King George II of Great Britain and King William I of the Netherlands. Source: Article "Astrid Whettnall" from Wikipedia in English, licensed under CC-BY-SA 3.0.