Peter Weiss’ monumental 1965 stage play, among the greatest artworks on the Holocaust, condenses the testimonies of witnesses and the accused during the Frankfurt Auschwitz Trials of 1963-1965. This ultra-faithful film adaptation builds, across four hours, in its intensity and graphically described detail.
When Borchert receives an anonymous message that a certain Franz Brosi is innocent, law firm boss Dominique can hardly believe it. After all, Brosi was her first client as a public defender a few years ago and had actually confessed. The two are investigating the case.