Lost in the middle of the countryside at the wheel of her old Kangoo, Siham is desperate to find that "bloody party". In the back seat, Marguerite and Arthur, aged 15 and 8 respectively, are determined to put her through hell. In this rolling crisis cell, tension builds to a crescendo. Elsewhere, in a gymnasium transformed into a meeting room, a mysterious gathering is taking place.
Marcia, a classy young Parisian singer, is recording an album with her idol Daredjane, a '70s rock icon. When Daredjane dies accidentally, Marcia needs to get approval from Daredjane's rights-holder, Anthony, a suburban market vendor in his thirties, to release their album. But Anthony never liked his distant relative, let alone her music. Their two worlds clash between good and bad taste, sophistication and rudeness, sincerity and lies. Unless love gets in the way...
This film is a tribute to love, a tribute to cinema. Our two main characters take us with them into the intimacy of "real people". We cross the roads of France with them, in their different vans and pick-up trucks transformed for the occasion into mini movie studios. Their concept: to film "declarations of love" and to deliver them directly by van to their recipients. And we discover, as we go along, that our duo and their own personal adventures are subtly intertwined with the people they film. This mix of genres offers several universes to the spectator in order to make him question himself about love.
Born in Toulouse in 1978, Baya Kasmi began working with Michel Leclerc on a TV series about adolescence, Âge sensible (2002), before the screenplay for Le Nom des gens (2010), which is said to have been inspired by an autobiographical story, won a César award. The duo reformed to write La vie très privée de Monsieur Slim (2015) and La lutte des classes (2018). As a director, she first established herself successfully in a short format with J'aurais pu être une pute, nominated for a César in 2012 for Best Short Film, which revealed Vimala Pons alongside Bruno Podalydès. The young actress went on to play the lead role in Je suis à vous tout de suite (2015), the director's first feature film. She then went on to work as a scriptwriter (for example, with Thomas Lilti on Hippocrate and Médecin de campagne), and it was not until early 2023 that her second feature was released: Youssef Salem a du succès, starring Ramzy Bedia.