She worked with the world’s greatest actors and directors: Buñuel, Mastroianni, Lellouche, Depardieu... The film guides us throughout her career with the filmmakers with whom she invented herself not to be a “cold blonde actress”, thanks to great interviews of many artists who crossed her path.
It’s summertime, 2021. Isabelle Huppert plays Lioubov, Chekhov’s unforgettably heroine in The Cherry Orchard. In a near theatre, Fabrice Luchini recites Nietzsche. Both actors are premiering at Avignon’s Festival. When they leave backstage to stand out on stage, they are completely transformed. As everything seems utterly natural, audience does not imagine what happened before. By following their daily lives during the weeks preceding the premieres, Benoît Jacquot brings a singular perspective of the two actors and shows them like we’ve never seen before.
Benoît Jacquot is a French film director and screenwriter who has had a varied career in European cinema. Born in Paris, Jacquot began his career as assistant director of Marguerite Duras films, including Nathalie Granger, India Song, and also actor in the 1973 short film La Sœur du cadre. He turned to writing and directing with the 1975 film The Musician Killer, which starred Anna Karina. He has directed over forty films, the most notable of which to American audiences are La Désenchantée (1990), starring Judith Godrèche, and A Single Girl (1995), starring Virginie Ledoyen. In 2003, he directed Massenet's opera Werther conducted by Antonio Pappano at Royal Opera House, Covent Garden. His film Farewell, My Queen opened the 62nd Berlin International Film Festival in February 2012. His 2014 film Three Hearts competed for the Golden Lion at the 71st Venice International Film Festival. In July 2024, Jacquot was charged with rape, including of a minor, and was barred from directing and having contact with minors.