Björn Andrésen

Acting

Björn Andrésen

Overview

Known for
Acting
Gender
Other
Birthday
Jan 26, 1955 (70 years old)

Björn Andrésen

Known For

Agatha Christie's Hjerson
8 Episodes
DOLBY
TV Show 2021

Agatha Christie's Hjerson

Swedish murder investigator Sven Hjerson forms an unexpected detective duo...

The Most Beautiful Boy in the World
1h 33m
DOLBY
Movie 2021

The Most Beautiful Boy in the World

In 1971, due to the world premiere of Death in...

Midsommar
2h 27m
DOLBY
Movie 2019

Midsommar

Several friends travel to Sweden to study as anthropologists a...

The Hotel
1h 21m
DOLBY
Movie 2016

The Hotel

The Hotel is the last part of a trilogy about...

Shelley
1h 32m
DOLBY
Movie 2016

Shelley

Louise and Kasper want to become parents, but Louise cannot...

Pelicanman
1h 30m
DOLBY
Movie 2004

Pelicanman

Wanting to know the ways of people, a pelican turns...

Lucifer Sensommer - gult og sort
1h 33m
DOLBY
Movie 1990

Lucifer Sensommer - gult og sort

Lucifer Sensommer Gult og Sort is a Norwegian drama film...

StreamPrime Logo
9min
DOLBY
Movie 1990

À la recherche de Tadzio

Whatever became of the actor director Luchino Visconti famously cast...

1939
3h 13m
DOLBY
Movie 1989

1939

When the war breaks out, Annika lives with her parents...

Lysande landning
2 Episodes
DOLBY
TV Show 1987

Lysande landning

On a hot August day, Harry Friberg gets an urgent...

Biography

Björn Johan Andrésen (born 26 January 1955, in Stockholm, Sweden) is a Swedish actor and musician. He is best known for playing the fourteen-year-old Tadzio in Luchino Visconti's 1971 film adaptation of the Thomas Mann novella Death in Venice. Andrésen had only appeared in one film, En kärlekshistoria (1970) at the time he was cast in Death in Venice, which gained him international recognition. While the film performed relatively poorly at the box office, Andrésen was noted for his performance as Tadzio, the beautiful young Polish boy with whom the film's older protagonist Gustav von Aschenbach becomes obsessed. Film historian Lawrence J. Quirk commented in his study The Great Romantic Films (1974) that some shots of Andrésen "could be extracted from the frame and hung on the walls of the Louvre or the Vatican". Rumors circulated in America at the time of the film's release as to whether or not Andrésen was homosexual (as the role demanded that he appear to exchange romantic glances with the protagonist, and on another occasion, be kissed and caressed by another teenage boy). Andrésen emphatically denied these, and later recounted his discomfort at being forced by director Luchino Visconti during filming to visit a gay bar, where he attracted the attention of a number of older men.  Eager to dispel the rumors regarding his sexuality and to shed his "pretty boy" image, Andrésen thereafter avoided homosexual roles and parts which he felt would play off of his good looks, and was angry when feminist writer Germaine Greer used a photograph of him on the cover of her book The Beautiful Boy (2003) without first obtaining his personal permission. Although Greer did consult photographer David Bailey (who owned the copyright for the image) before publishing the book, Andrésen maintained that it is common practice when a party uses an image of a person which has been copyrighted by a different individual to inform the individual and that he would not have given his consent for Greer to use his picture if she had informed him of her plans. Andrésen has also appeared in several other films.These include Pelikaanimies (2004),  Kojan (1992) and Smugglarkungen (1985).

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