Alex, whose singing career can't manage to succeed, accepts a strange job : to make a pensionner choir sing nursery rhymes. She finds out a bunch of out of control old people who dream of singing rock and roll music ! Her mission will be more complicated than expected...
The Man In The Hat sets off from Marseilles in a small Fiat 500. On the seat beside him is a framed photograph of an unknown woman. Behind him is a 2CV into which is squeezed Five Bald Men. Why are they chasing him? And how can he shake them off? As he travels North through France, he encounters razeteurs, women with stories to tell, bullfights, plenty of delicious food, a damp man, mechanics, nuns, a convention of Chrystallographers and much more, coming face to face with the vivid eccentricities of an old country.
Jeanne works as an auxiliary in a maternity in Marseilles. Day and night, Jeanne and her colleagues fight to help mothers and their babies against the lack of staff and constant management pressure. Jeanne lives with her 18 year-old daughter, Zoé. When a tragedy occurs at the maternity and Zoé leaves to study in Paris, Jeanne’s secret past suddenly resurfaces and forces her to assert her life choices.
Brigitte Roüan (born 28 September 1946) is a French director, screenwriter and actress. Rouan was born into a French naval family in Toulon in 1946. She was orphaned at age six and spent her childhood in Algeria and Senegal. At age 12, she left for convent school in Paris. Her acting career began at age 21, on the stage. Her performance lead the way to small film roles for directors including Alain Resnais, Jacques Rivette, and Bertrand Tavernier. Rouan became a director in her own right when she helmed a short film titled Grosse. It won a César Award in 1986. She would become a feature film director with Overseas (1990), which won the Critics' Week award at the 1990 Cannes Film Festival. She co-starred in the film with Marianne Basler and Nicole Garcia to portray sisters in colonial North Africa during the 1950s. The now actor-director would continue in roles, including one in Olivier, Olivier (1991) for Polish director Agnieszka Holland. Rouan's 1997 film Post Coitum, Animal Triste garnered attention for its depiction of an affair between a middle-aged woman (played by Rouan herself) and a younger man. The film was a success in its native country and received strong notices in America, where it screened at the New York Film Festival before playing to arthouse crowds. It was also screened in the Un Certain Regard section at the 1997 Cannes Film Festival. In 1998, she was a member of the jury at the 48th Berlin International Film Festival. Source: Article "Brigitte Roüan" from Wikipedia in English, licensed under CC-BY-SA 3.0.