Vasif, a retired police officer, takes care of his granddaughter Zeynep after losing his daughter and son-in-law in a traffic accident. After losing her mother and father, Zeynep turned into herself and lost her intimacy with her grandfather. Vasif learns that his old truck, which has its license on him, has a 10-year tax debt, and from that moment on, nothing will be the same.
Middle-aged HAKKI lives in a historical Aegean village with his family. He provides for them by selling statuettes in front of the nearby ancient city as well as guiding local tours. The region harbors business opportunities as touristic interest booms; however, HAKKI fails to catch the trend. One day, he finds a historical artifact in his garden by chance and sells it for a car's price, later he finds out the actual value of the artifact is a hundred times higher. With great ambition, he starts digging tunnels in his garden, hoping to find more valuables, yet he gets nothing. He is now obsessed, sacrifices much of his life and takes on a dark journey for both him and his family.
Middle-aged HAKKI lives in a historical Aegean village with his family. He provides for them by selling statuettes in front of the nearby ancient city as well as guiding local tours. The region harbors business opportunities as touristic interest booms; however, HAKKI fails to catch the trend. One day, he finds a historical artifact in his garden by chance and sells it for a car's price, later he finds out the actual value of the artifact is a hundred times higher. With great ambition, he starts digging tunnels in his garden, hoping to find more valuables, yet he gets nothing. He is now obsessed, sacrifices much of his life and takes on a dark journey for both him and his family.
Suna is a teenage athlete who lives with her mother in a mountain village much like the world at large: here, things are run by older men who know it all, environmental destruction looms, and greed beats in most hearts.
While serenading a wedding that quickly implodes, a nomadic musician falls for the bride, who runs afoul of her family. Now he has to save her life.
Yarar was born in Ankara. He became interested in theatre at a youthful age after watching several plays with his family. He didn't participate in any professional plays until the end of high school. As his father was a violinist, Yarar became interested in music as well and enrolled in Mimar Sinan University Start Conservatory to learn singing. While learning opera, he joined the Turkish State Theatres as an extra actor and began working on the stage. The first play that he had a role in was Istanbul Efendisi. Due to pressures from his family, he eventually enrolled in the theatre department of the university that he was studying at and graduated in 1989. In the same year he began working at the Diyarbakir State Theatre. Between 1994-1995, he worked for Istanbul State Theatre. After returning to Istanbul, he directed the plays Ada and Getto for Tiyatro Ti. In 1998, he joined Tiyatro Studios and was cast in the leading role in The Balcony by Jean Genet, and in 1999 he had a leading role in an adaptation of Cyrano de Bergerac. After beginning to work for Oyun Studios, he was cast in Ermisler ya da Günahkarlar alongside Haluk Bilginer and Senay Gürler. Together with Isil Kasapoglu, he directed the play Mem ile Zin for Semaver Company. Aside from his career on stage, he has appeared in various cinema and television productions. IMDb Mini Bio By; yusufpiskin