Giorgio, a pianist arrived in South Tyrol to hold a concert, get to know Chiara, a beautiful girl.
Police Comissioner Datti is investigating the murder of a female doctor whose murderer seems to be a thirty-fivish year old man. Soon another murder follows: Pianist Robert Dominici's girlfriend is found killed. The killer also challenges Datti on the phone and says he can't be caught since he has a secret which makes him invulnerable. In the meantime the clues seems to point in strange directions...
In Italy, set in the early 1930s, a missing Swedish millionaire (Erland Josephson) is the target of a journalist (Rüdiger Vogler) who sets out to discover exactly what happened to the man and whether or not he is still alive. The biggest lead he has is the millionaire's attractive mistress (Brigitte Fossey), and the story takes off from there.
This time the "amici" (friends) are just four: Necchi, Meandri, Mascetti and Sassaroli. Nevertheless they are older they still love to spend their time mainly organizing irresistible jokes to everyone in every kind of situation. Mascetti is hospitalized in a geriatric clinic. Of course the place become immediately the main stage for all their jokes. After some jokes they decided to place an ultimate incredible and farcical joke to the clinic guests.
Caterina Boratto (15 March 1915 – 14 September 2010) was an Italian film actress. She appeared in 50 films between 1936 and 1993. Born in Turin, Boratto studied at the Musical Lyceum in her hometown with the purpose of becoming a singer; noted by Guido Brignone, she made her debut in To Live, alongside Tito Schipa. Thanks to the film's success, she immediately became a star in the Telefoni Bianchi genre, and also got a seven-year contract with Metro-Goldwyn-Mayer which eventually dissolved because of World War II. In 1943, Boratto lost two brothers, the partisan Renato and the soldier Filiberto, killed in the massacre of the Acqui Division. In 1944, she married a doctor, Armando Ceratto, with whom she had two children. Except for a film in 1951, she basically retired from show business for twenty years before accepting to play two key roles in 8½ and Juliet of the Spirits by Federico Fellini, who had known her in the set of The Peddler and the Lady, where he had served as screenwriter. Starting from the second half of the 1960s, Boratto resumed appearing in films with some regularity, and from the late 1970s, she also became very active on television, being cast in dozens of TV series.
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