Provence, Summer 1982. French highscoolers and their german exhange students hold a spiritualism seance. Shortly afterwards, a series of tragic events befell the village. Could they have awakened an evil spirit? The youngsters embark on an investigation into the origins of the evil that has struck their families.
Toni has spent her entire life putting other people’s needs before her own. When she was 20 years old, she was pushed by her mother to join a TV singing competition, becoming a national star. Twenty years and five children later, she is a full-time mom who spends all her time and effort on raising her teenage kids. As she helps her children plan their future after graduation, she begins to imagine what her life could be if - for once - she did what she really wanted. Will she be able to turn her life around and dare to be something other than a mother and a daughter?
Suzanne was not keen on returning to this village in which she grew up. It was her brother Anton who insisted that she finally see their father again. Before it 's too late ? Indeed the old man has for some time completely lost his mind. If the reunion promises to be complicated, Anton doesn't know yet that the return of a sister can turn many lives. Starting with his life.
Paris, June 1940. The de Gaulle couple is confronted with the military and political collapse of France. Charles de Gaulle joins London while Yvonne, his wife, finds herself with her three children on the road of the exodus.
Catherine Mouchet (born 21 August 1959) is a French actress. She studied at the Conservatoire de Paris, following the courses of Jacques Lassalle and Claude Régy. Her performance in the film Thérèse, directed by Alain Cavalier, won her the César Award for Most Promising Actress for 1987. Having been acclaimed for her appearance in Thérèse, she next appeared in Claude Goretta's Si le soleil ne revenait pas in 1987, and then devoted herself to theatre for a time. She appeared in works by Luigi Pirandello, (Vêtir ceux qui sont nus), and Alfred de Musset, (Les Caprices de Marianne), amongst others, and directed La Petite dame with Claude Guyonnet in 1992. She returned to the screen in Jean-Pierre Mocky's Bonsoir 1993, and in Louis and Xavier Bachelot's short film La Plante. On television she appeared in the saga Jalna, directed by Philippe Monnier from the books of Mazo de la Roche, and Le blanc à lunettes, directed by Édouard Nierman, from a Georges Simenon novel. She then studied for a degree in philosophy. She returned to the screen and played supporting roles in two Olivier Assayas films, Fin août, début septembre and Les Destinées sentimentales. She appeared in Pierre Jolivet's My Little Business, for which she received a nomination for the César Award for Best Supporting Actress, and Philippe Harel's 1999 Extension du domaine de la lutte, an adaptation of Michel Houellebecq's controversial breakthrough novel Whatever, in which she played a psychoanalyst. She played a prostitute in Patrice Leconte's Rue des Plaisirs. She continues to appear in a wide variety of roles in both auteur films and popular comedies, and for both first time directors and established talents. In October 2008 Mouchet appeared at the Théâtre National de Strasbourg in Jean Magnan's "et pourtant ce silence ne pouvait être vide", based, like Jean Genet's The Maids, on the Papin sisters murders in 1933. Source: Article "Catherine Mouchet" from Wikipedia in English, licensed under CC-BY-SA 3.0.