The story is centered around the transgender protagonist Tzu-chi who has left home for six years and her sister Tzu-chuan with whom she has fallen out of touch for years. From reencountering each other with Tzu-chuan unable to recognize Tzu-chi, to the emotional nuances triggered by the subsequent recognition, the story profiles the protagonist’s gender identity, the contempt and even discrimination she faces from her work and social environment, and conflicts with her family. In the story, the protagonist goes through a series of unfortunate incidents with her sister. Long-repressed emotions and pressures finally pop the cap off, but this also becomes an opportunity for Tzu-chuan to resolve her inner conflicts. This film presents the theme “one can only truly move forward in life by newly confronting the obstacles they did not overcome in the past.”
Police officer Chou is about to propose to his girlfriend Chen. He then receives a homicide case report and follows it to the mountain area. Sadly, the deceased is his girlfriend Chen. Devastated as he is, he tries his best and arrests the murderer Li. However, from Li's confession, Chou learns that Chen has voluntarily let Li kill her. Why do Li and Chen go on a murderous journey together? Or is it Chen who kills herself?
Energetic, colourful reworking of Shakespeare’s love story played entirely by women, set in the bustling metropolis of Taipei.
After a bizarre bus accident, Ming Ze awakens from a coma to discover that his mind now shares the consciousness of four fellow passengers – all of them dead; all of them suspects in a serial kidnapping and murder case. To prove his own innocence, Ming evades capture by the police and tries to track down the killer’s only surviving victim. But in order to unmask the murderer’s true identity, Ming must first fight the monster within himself.