Leipzig, December 1734: Christmas brings the Bach family together. The first snow has fallen and the children Gottfried and Elisabeth are delighted about the arrival of their older brothers Friedemann and Emanuel. The Thomaskantor has retired to his music room. Anna Magdalena supports her husband, as there are only a few days left and his latest work, the six-part "Christmas Oratorio", must be finished on time. It is awaited with suspicion by the city council and the gentlemen of the consistory, who have long found Bach's waywardness a thorn in their side and fear that, after the premiere of the St. Matthew Passion a few years earlier, the St. Thomas Church will once again be filled with "operatic" music. With the oratorio, Johann Sebastian Bach hopes that he will finally become court composer in Dresden. And, as always, he demands that all members of the family join forces to help him. But differences of opinion are increasingly delaying the completion of Bach's most famous work.
"Der Schatten" shows a journalist who receives an prophecy message: Norah (Deleila Piasko) wants to risk a new beginning in the Austrian metropolis. As soon as she arrives in town, she meets a beggar woman who predicts that in six weeks she will kill a man named Arthur Grimm. At first, Norah doesn't pay any attention to the incident since the name doesn't mean anything to her, but then strange things start to happen.
After the body of a young woman is recovered from Lake Mattsee, the two cops not only face a major professional challenge that takes them into the dark past, but also come into contact with Mattsee's dark history and reach their limits privately.
After the body of a young woman is recovered from Lake Mattsee, the two cops not only face a major professional challenge that takes them into the dark past, but also come into contact with Mattsee's dark history and reach their limits privately.
The Graz chief investigator Sascha Bergmann and his colleague Eva Merz from the Spusi try to combine the official with the romantic, but unfortunately a routine case in the tranquil East Styrian hill country unexpectedly degenerates into work: What initially looks like the suicide of a drunk turns out to be poorly disguised murder! This in turn calls Bergmann's partner Sandra Mohr onto the scene, who puts herself in danger in her investigative zeal.