East Berlin, early 1980s: Ludger is hired by the Stasi to spy on the oppositional arts scene in Prenzlauer Berg. But when he falls in love with the mysterious Nathalie, he has to choose between a life as a celebrated underground poet and his career as a Stasi agent. A choice that will turn back on him 30 years later.
We look back at more than half a century of mysterious artistic creation while trying to crack a unique artistic code. Why are people moved to tears when Robert “Bob” Wilson puts minimalistic petrol pumps into a production of Shakespeare’s sonnets? Why does merciless repetition change our understanding of something? Together with Tom Waits, Willem Dafoe or Marina Abramović we trace back our own experience of Bob’s art. Is it true what Philipp Glass the collaborator of the milestone piece “Einstein on the Beach” laughingly and with apparent pleasure exclaims “what does it mean? It doesn’t mean anything!”?