Four close friends, Lovro (21), Nenad (20), Stevan (22), and Ivan (20), fought against the Ustashas and Nazis by joining the partisans in WWII. Sixteen years later, they became renowned filmmakers. In 1957, in Communist Yugoslavia, their sexual orientation raises suspicion, and a communist party loyalist named Emir (52) is assigned to sabotage their careers and lives. The pursuit of freedom becomes a fight for survival for the artists, while Emir's beliefs are challenged.
Sitting in a restaurant representing the waiting room to the other world, a tired old man watches the patrons who represent him and his immediate family during the important moments of his life. Moments that have impacted him and the family, and have turned him into a man he was at the end of his life. The old man is forced to look these events in an objective way, observe them from the sidelines, as the judge and jury of a tragic life filled with regret, bitterness, and bad decisions. At a certain point, it becomes clear that the old man has actually died and is watching his own life.
It is 1995. Mahir is a 38-year-old refugee from Bosnia, with unknown history, living in the hotel Pula, modified into a refugee centre. His days are monotonous and empty, and his history is unknown. A spark of life comes when Una, a young girl from Pula, is drawn to him. Until the past catches up with him.
When four female colleagues receive an email death threat each, they are convinced the sender is a war criminal, whom they have exposed. But what if the threats come from within their own office at the Danish Center for Information on Genocide?