The members of a diverse vigilante group formed to boost the police's image are put in jeopardy when they stumble upon an unexpected drug deal.
"Lunatics" narrates the experiences of different characters who live in the cities of Buenos Aires, Mexico and Montevideo. Their stories intersect. The madness of the globalized world and the local reality, of each one of them, is affected just at the moment in which the North American president begins to send posts on social networks, eliminating all trade with China.
Drinking, dancing and... killing me. It's the new life my neighbour Jose has decided to live. What better way to escape boredom than coming to kill me every thursday? His wife, Lucie, prefers to go to a shrink. To each their own therapy.
Drinking, dancing and... killing me. It's the new life my neighbour Jose has decided to live. What better way to escape boredom than coming to kill me every thursday? His wife, Lucie, prefers to go to a shrink. To each their own therapy.
Belgrano neighborhood, Buenos Aires, Argentina. Someone is watching Fernando Berlasky from one of the countless windows in front of his apartment and sending him e-mails.
Belgrano neighborhood, Buenos Aires, Argentina. Someone is watching Fernando Berlasky from one of the countless windows in front of his apartment and sending him e-mails.
A virus is unleashed and a chilling massacre runs through the streets of Montevideo.
Inés works as a dubbing actress and sings in a choir in Buenos Aires. While on an idyllic trip she suffers a traumatic episode that she can’t recover from. She has trouble sleeping and experiences very vivid nightmares as strange sounds begin to emerge from inside her. Awake, Inés feels suddenly surrounded by people that seem to come from her dreams.
Act of Violence Upon a Young Journalist is a film shot in 1988 and released on VHS in 1989; a mysterious cult work of Uruguayan cinema surrounded by strange theories about Manuel Lamas, its unknown creator. Until now.
Act of Violence Upon a Young Journalist is a film shot in 1988 and released on VHS in 1989; a mysterious cult work of Uruguayan cinema surrounded by strange theories about Manuel Lamas, its unknown creator. Until now.
Daniel Hendler (born 3 January 1976) is a Uruguayan film, television, and theatre actor who works mainly in the cinema of Argentina, where he lives. He is known for his starring roles in films such as Bottom of the Sea, Family Law, The Paranoids, Phase 7 and Lost Embrace. Working on both sides of the Río de la Plata, Hendler achieved international recognition due to his awards as an actor. Hendler is part of the generation of actors who revitalized the Uruguayan cinema with films like 25 Watts, and is one of the regular actors of the so-called New Argentine Cinema.