We all know Jack Nicholson the actor. But few know the history of Jack Nicholson the screenwriter, and especially Jack Nicholson the director. Nicholson's lifelong friend, filmmaker Henry Jaglom, reflects on the icon's behind-the-camera career, while film historian/filmmaker Daniel Kremer presents and analyzes the full scope of that history.
Worlds collide in this unconventional essay film, when filmmaker, film historian, and archivist Daniel Kremer seamlessly edits Michelangelo Antonioni's legendary but controversial counterculture art film Zabriskie Point (1970) into the same narrative universe as Stanley Kramer's madcap epic comedy extravaganza It's a Mad, Mad, Mad, Mad World (1963). In creating these new sequences, Kremer comes to recognize that the exercise effortlessly draws cultural and historical parallels in twentieth-century American life that echo in present-day America. The editorial mashups weave a tangled web of social and cinematic history that root our notions of Americana in the mythology of the desert. As Kremer expounds in his narration on these often astonishing and sometimes shocking associations, his very personal ties to the subject matter become manifest.
A video essay about fifties and early sixties social and sexual mores, in life and in cinema, and how these "codes" (in partnership with a production Code, capital C, which was almost antediluvian in terms of sexual politics) molded and then trapped the female performers who came up in the shadow of it all. Suzanne Pleshette is a perfect case in point.
Between One Eyed Jacks (1961) and The Godfather (1972), Marlon Brando appeared in twelve feature films. The actor called this period his "F*** You Years" and it was during this time that his on-set behavior hit erratic and unpredictable new heights. The qualities of the roles and the films themselves vary, but this video essay examines the historical and aesthetic profiles of this cinematic so-called "dirty dozen." Were these projects really beneath him? And what led him to this decade of perceived ignominy?
What do the movies First Blood and Weekend at Bernie's have in common? One man with a clear and curious thematic focus, that's what. Ted Kotcheff is an auteur filmmaker. He is a director with a unifying style, a clear thematic concern, and a coherent vision of life. This video essay defines these elements with an in-depth analysis of his filmography, which also includes Wake in Fright (1971), The Apprenticeship of Duddy Kravitz (1974), Fun with Dick and Jane (1976), North Dallas Forty (1979), and many others.
Filmmaker, film historian, biographer, and professional film archivist Daniel Kremer grew up in Pittsburgh, Pennsylvania. He graduated Temple University's film program and now lives in San Francisco. In 2007, while living in Philadelphia, he directed his first feature Sophisticated Acquaintance (2007). His second feature A Trip to Swadades (2008), which was shot on black-and-white super-16mm film, won three Best Feature Film awards. Following that film's international festival tour (which included Rotterdam), he moved to New York City, where he lived for nearly seven years. At one point, he studied to be an Orthodox rabbi, but gave it up to continue pursuing film. In 2011, he completed his acclaimed follow-up feature, The Idiotmaker's Gravity Tour (2011). The film was lensed predominantly in India. Subsequent to that, he directed Raise Your Kids on Seltzer (2015), Ezer Kenegdo (2017), Overwhelm the Sky (2019), and Even Just (2020) in the San Francisco Bay Area, using independent filmmaking icon Rob Nilsson's regular cast and crew. The critically lauded Overwhelm the Sky was given special coverage for having been released in the classic epic "roadshow" format, and was picked up for distribution by Kino Lorber. His partly autobiographical cinema-themed essay documentary It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point (2023) garnered raves from the British Film Institute, veteran critic Gerald Peary (For the Love of Movies), and many others. Kremer has screened work at the Toronto International Film Festival (TIFF), the Joseph Conrad Festival in Krakow, Poland, Maryland International Film Festival, San Francisco Independent Film Festival, Brussels International Film Festival, Glasgow Film Festival, the International Film Festival Rotterdam, Fantasporto Film Festival in Porto, Portugal, Rivers Edge International Film Festival, Mill Valley Film Festival, and many other international venues. His second book, currently in editing at Oxford University Press, is the first to cover filmmaker Joan Micklin Silver (Hester Street, Chilly Scenes of Winter, Crossing Delancey). His first book, about the life and career of filmmaker Sidney J. Furie (The Ipcress File, Lady Sings the Blues, The Boys in Company C, The Entity), was published by University Press of Kentucky's Screen Classics Series in November 2015. His third book, now being researched, will be the first to cover the life and career of classic Hollywood director Irving Rapper (Now Voyager, The Corn is Green, The Brave One, Marjorie Morningstar). As a film scholar, he has provided DVD/Blu-Ray commentary tracks for sixteen companies. As a Trailers from Hell guru, he is listed alongside other gurus like Guillermo del Toro, Luca Guadagnino, Eli Roth, Joe Dante, Edgar Wright, John Landis, Roger Corman, John Sayles, and many others.
