A group of protesters film a period re-enactment in a dilapidated 18th century house in a last ditch effort to save it from demolition. Through this film-within-a-film device, Paul Mercier’s satirical script gleefully blurs the lines between “real life” and dramatised events, while touching on a dizzying range of themes such as art, historical truth and conservation. The film is fuelled by an anarchic energy and propelled by Mel Mercier’s driving score.
In the 1970s, a member of the IRA takes over an Active Service Unit in London after his wife is accidentally shot dead in Ireland. The unit's mission is to cause chaos and destruction, while his personal aim is to hunt down his wife’s killer — an SAS captain, who is also hunting him.
The film centres on local small-town GAA football "outside the bright lights of Croke Park", following a player who struggles to get back into the sport after an injury.
A teenager lies about his brother's death and struggles to face the consequences that unfold until his domineering father offers the possibility of forgiveness.
Colmán Sharkey - a fisherman, a father, a husband - takes in a stranger at the behest of a local priest. Patsy, a former soldier arrives just ahead of ‘the blight,’ a crop disease that caused the Great Plague, killing and displacing millions of Irishmen.