Fifty years after The Wicker Man (1973), director Robin Hardy’s lost papers resurface, prompting his sons Justin and Dominic to explore the legacy of the cult classic—and their father. For Justin, the film represents personal loss; for Dominic, a distant cultural phenomenon. Together, they uncover the truth behind Robin’s role in the film and confront the complexities of independent filmmaking, family, and myth.
A young transgender woman takes a hike through the English countryside in an attempt to resolve her spiritual crisis - but an ancient evil strives to ensure that she never completes her journey.
Explores the salacious career of mysterious British filmmaker and distributor David Hamilton-Grant, who was the only supplier to be sent to prison for releasing a "video nasty". Hamilton-Grant navigated loopholes in the law in the 70s in order to produce and screen smut in an extremely censorship restricted Britain. When the home video boom hit in the 80s he was one of the first to capitalize on the initially far less regulated format... but he would pay the price. Then things get really dark and strange.
The very first feature-length discussion and breakdown of the entire "Emmanuelle" phenomenon - the atmosphere in Europe that led to the production of the original and its subsequent impact across the continent and indeed the world.
David McGillivray has contributed to radio, TV, films and theatre, began as a film journalist and bit player. His stints as a contributor to the magazine "Films and Filming" and assistant editor of the British Film Institute's "Monthly Film Bulletin" resulted first in him writing screenplays for director Pete Walker and later writing the book "Doing Rude Things". The films were not commercially successful and McGillivray's scripts attracted mostly hostile reviews. He moved to theatre, co-writing lowbrow farces for his own company. During this period he met Julian Clary, who was starting out as a stand-up comic. McGillivray has continued to this day to write for Clary.
