This darkly grotesque drama unfolds on multiple paths. The tangible one, now cruel, now crazy, along which the nomadic actor "Dad Mour", his wife "Mum" and two sons try to return home, but also the imaginary one, even more, tortuous and dusty, on which the often impressive mental youth (or immaturity, a scrooge might say) is welded with life circumstances forcing the protagonist to wise up. An anxious and exuberant cinematic faerie about love, the fear of loneliness and the gaze of sons fixed on their fathers.
Pavel may be in his forties, but he still hasn't fully matured. He lives with his mother and lacks the courage to do what would truly fulfill him in life. He only gets this when he meets his childhood sweetheart, Tereza, and spends an adventurous night with her. However, Tereza is not ready to leave her current life for someone who, according to her, is not a real man. So Pavel decides to become exactly that kind of guy. He signs up for a training camp in the Tatras led by Weisner, who teaches everything from chopping wood to seducing women. Will Pavlo manage to overcome himself and become the man Tereza longs for?
More than a year has passed since the last time we saw Julio Lavický (Jakub Stáfek) (yes, it was when he "sold" the match, but forgot about it and scored a beautiful goal). Lavi is, as his agent would say Jarda (Jakub Prachar), still the same demented person, but he finally started to do well. Both in football and in his personal life. With Vysehrad, he advanced to the second league, where he leads the scorers' table, once again wealthier clubs are eyeing him, he even asked for the hand of his girlfriend Lucia (Sárka Vaculíková), Jarda's sister... At the wedding, which cost a fortune, but he discovers that he already has an eight-year-old son, which will definitely not please the newlywed. not to lose his wife on his wedding day, to take care of his child, which is a long way from him, to get from Vysehrad to somewhere higher, or to fight with the practices of a certain football Dad... It's just rushing like an avalanche again - from one problem to another second.
"A documentary anatomy of mass murder for one monitor and 34 talking heads." These are the words the filmmakers use in the credits to describe their project, which thematises the execution of more than 260 Carpathian Germans, Hungarians and Slovaks by Czechoslovak army soldiers near Přerov in June 1945. The “massacre at Přerov” is made present through a minimalist dramatisation of the interrogation footage of direct participants, eyewitnesses, and others. It is as if the characters of ancient theatre were entering the Zoom “stage” and delivering a tragic message of fear, hatred and disinterest across the chasm of time.