Dmitri Frolov

Acting

Dmitri Frolov

Overview

Known for
Acting
Gender
Other
Birthday
Feb 27, 1966 (59 years old)

Dmitri Frolov

Known For

Dreams of the Past
0h 20m
DOLBY
Movie 2022

Dreams of the Past

Borodino
0h 12m
DOLBY
Movie 2020

Borodino

An experimental sitcom, shot in the style of silent films...

Tango a Nightingale
0h 4m
DOLBY
Movie 2002

Tango a Nightingale

Romantic fantasy based on "two songs" Marina Tsvetaeva riddled melancholy...

Stairway to Heaven
0h 8m
DOLBY
Movie 1996

Stairway to Heaven

This Petersburg you will not see on the covers of...

Shatanger Aylok
0h 20m
DOLBY
Movie 1993

Shatanger Aylok

This film tell us about intricate attitudes in male collectives...

Clownery
0h 53m
DOLBY
Movie 1989

Clownery

The tragicomedy of the absurd, is based on the works...

The Way
0h 36m
DOLBY
Movie 1988

The Way

Three friends meet in a central cheerful pastime. After strolling...

Metamorphosis
0h 9m
DOLBY
Movie 1988

Metamorphosis

A film-parable about the eternal movement of mankind from the...

Dream
0h 20m
DOLBY
Movie 1987

Dream

The first Surrealist film perestroika years.

Biography

Dmitri Frolov was born in Leningrad in 1966. He graduated from The Institute of Film & Television in 1990. He worked at LENFILM Studios and then for the STV film company as a cameraman, in which capacity he has worked with many independent filmmakers. He began to shoot his own films before the start of perestroika, in the early 1980s. One of his first films, The Battle of Borodino, caused a furore and did much to determine the development of the folkloric trend in cinema. He is one of the leaders of russian movievanguard in postperestroika age. He makes esthetic experiments connecting with return to dumb cinema on new level of movielanguage. His films he shoots exclusively on film company "Svema". Even despite the fact that the film material, said the factory was left far in the Soviet past, and the film is not released, he revives the footage, while continuing to be faithful to the brand selected more child. When asked why, he replied that only "Svema" because of its unpredictability and non-uniformity of the emulsion, is the living material, which is able to convey the thrill of the character of life and even the seemingly inanimate object.