The documentary is a tribute to Theater based on the trajectory of Clarice Niskier who made her job her own lifestyle. As a central axis, interviews with the three directors with whom Clarice developed long partnerships: Domingos Oliveira, Eduardo Wotzik and Amir Haddad. Through an intimate and sensitive look, the film reveals her passion for the craft, her life experience, her poetic worldview, her spiritual and intellectual search, pains, joys, losses and gains. Clarice makes the black box the more than perfect symbol of her own Universe: the Theater.
Conducted from interviews with personalities who lived with Leila Diniz (1945-1972), the documentary is a record of an era and, above all, it rescues the participation in Brazilian culture of the actress who opened the way for the sexual revolution during the dark years of the dictatorship.
The trajectory and artistic imagery of actor and director Zbigniew Ziembinski (1908-1978), precursor of modern theater in Latin America and master of generations of Brazilian actors. The polyphonic montage builds on vast unpublished material, covering half a century of performances, teletheaters and interviews by Zimba, as he was known – before and after fleeing Poland, on the eve of the invasion of Warsaw – and recreates fragments of Wedding Dress , a play by Nelson Rodrigues which the Polish-Brazilian director won a revolutionary montage in 1943.
In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.
Domingos José Soares de Oliveira (September 28, 1936 — March 23, 2019) was a Brazilian actor, playwright, stage director, TV host, poet and filmmaker. After getting a bachelor's degree in Engineering, he got involved in amateur theatre and soon started to get involved with cinema, specially with the Brazilian New Wave (Cinema Novo) movement. He served as assistant director to Joaquim Pedro de Andrade in short films "Manuel Bandeira, o Poeta do Castelo" and "Couro de Gato", and debuted as a film director with 1966's "Todas as Mulheres do Mundo". After that, Oliveira wrote over 20 stage plays, directed 18 films and hosted 3 TV shows, all in which he constantly worked with his partner Priscilla Rozenbaum. For his plays and occasionally self-starred very low-budget films often deal with themes of love and sex in a humorous and intelligent key, he became known as the "Brazilian Woody Allen". During his late years, Oliveira struggled with Parkinson's Disease, but kept working until his passing in March 2019.