How much do we really know about ourselves when we make a decision? What if there are multiple versions of our I within us, each with something to say?
How much do we really know about ourselves when we make a decision? What if there are multiple versions of our I within us, each with something to say?
Shakespeare’s Othello is revisited exactly as it was written, brought into the present through the power of dialect alone. Iago, Othello, and Desdemona are regrettably still among us, in contemporary events told through a great classic. Set in the early 2000s, it is a timeless story where good and evil intertwine in a maelstrom of deceit, betrayal and mad jealousy.
After the Arcangelo affair, the Pasti brothers, together with an eccentric half-sister they didn't know they had, have made a name for themselves as "gravediggers of VIPs" and are vying for a coveted category award never won before, the Vespillone D'oro. But the evaluation commission finds a gigantic hole in the company's books, which threatens to exclude them from the race for the award. But how is this possible? The answer is in Matteo Pasti's confession: he "borrowed" large sums from company accounts to maintain a virtual relationship with the cam girl named Bella Salma. A stage name that, soon, is on the opening news of all the news: the sex worker is found dead in her villa due to an unlikely domestic accident. The Pasti phone is not long in ringing...
Over the course of a day, Fausto, invincible in his inertia, watches a paradoxical procession of visitors pass by: the mellifluous parish priest of the town; a mysterious man with his absurd ghost-themed business idea; the captain of the Carabinieri who proposes a shotgun wedding to his daughter, who has become pregnant by a stranger. Finally, late at night, a couple of thieves enter the house with Barbara's complicity. Fausto surprises them, impassive and bored as always, and reassures them: there is nothing left, neither gold nor paintings, everything has been sold. The three do nothing but chat until the sun rises, when the thieves leave and Barbara puts the coffee on the fire.
Inspired by a profound encounter, a troubled former chief investigator becomes a private eye for those who won´t - or can´t - turn to the law.
A group of friends gathers for a birthday by the sea, only to face the looming possibility of the world ending within hours, transforming one fleeting, endless night into a life-altering experience.
Four episodes – Christmas, May 1st (Labour Day), August 15th (Ferragosto), Halloween – to tell four stories that delve into the human soul.
The story of a small, simple and happy family in which a boy, a manipulator, violently enters, which distorts the life of this wonderful fifteen-year-old and makes her a nightmare.
Edoardo Leo (born 21 April 1972) is an Italian actor, director and screenwriter. Born in Rome, Leo, a graduate in Literature and Philosophy from the Sapienza University of Rome, started attending acting courses at young age and made his professional debut in 1995, in the TV-movie La luna rubata. He had his breakout in 2003, with the role of Marcello in the TV-series Un medico in famiglia. In 2009, Leo debuted as screenwriter and director with the road movie 18 Years Later, which got him some awards at several international film festivals, a nomination at David di Donatello for Best New Director and a nomination for a Nastro d'Argento in the same category. In 2014 he received the Nino Manfredi Prize at the Silver Ribbon Awards. His 2015 film The Legendary Giulia and Other Miracles won the David di Donatello of the Youth and the Nastro d'Argento for best comedy film.