'Pedro', Liora Spilk's debut feature, paints a humorous and emotional portrait of Pedro Friedeberg, a Mexican plastic artist who became famous in the sixties for the creation of the hand chair. Between grumblings, ironies, reflections on art and disagreements, 'Pedro' achieves an endearing portrait of Friedeberg, and at the same time presents a tribute to friendship and creation.
The peace of a small town is endangered when a corporation wants to destroy the mountain that protects them. A girl named Copi and her best friend Xico, a Xoloitzcuintle dog, will go into the mountains to try to save the town.
Stela, a young Brazilian actress, decides to make a work on the letters exchanged between Latin American plastic artists in the 70s and 80s. She travels to Cuba, Mexico, Argentina and Chile looking for her works and testimonies about the reality they lived during the dictatorships that most of these countries faced at the time. In the midst of the investigation, Stela discovers the existence of Ana, a young Brazilian artist who was part of this world, but disappeared. Ana went from southern Brazil, from a small town in the interior to Buenos Aires. Obsessed by the character, Stela decides to find her and find out what happened to her.
Hélène Elizabeth Louise Amélie Paula Dolores Poniatowska Amor (born May 19, 1932), known professionally as Elena Poniatowska is a French-born Mexican journalist and author, specializing in works on social and political issues focused on those considered to be disenfranchised especially women and the poor. She was born in Paris to upper-class parents, including her mother whose family fled Mexico during the Mexican Revolution. She left France for Mexico when she was ten to escape the Second World War. When she was eighteen and without a university education, she began writing for the newspaper Excélsior, doing interviews and society columns. Despite the lack of opportunity for women from the 1950s to the 1970s, she wrote about social and political issues in newspapers, books in both fiction and nonfiction form. Her best known work is La noche de Tlatelolco (The night of Tlatelolco, the English translation was entitled "Massacre in Mexico") about the repression of the 1968 student protests in Mexico City. Due to her leftwing views, she has been nicknamed "the Red Princess". She is considered to be "Mexico's grande dame of letters" and is still an active writer.