From the moment Máxima Zorreguieta appears at the Dutch crown prince’s side, she finds herself in the spotlight. When Willem-Alexander asks her to marry him, the past catches up with her. Heated discussion erupts about her father’s political career in the Videla regime – a discussion she never faced in her own circles. What allows this Argentine to finally thrive at an old European court? And how can Máxima stay true to herself without giving up her family – or do these things not go together?
Marion experiences a day. It could be yesterday, but not tomorrow, because at the end of the day she is dead, stumbled in a moment of routine.
Two former lovers find themselves struggling for shared closure as one of them prepares to stage a play about the unspeakable tragedy that tore them apart decades ago.
Kerstin is in great pain. Her daughter Juliane wants to help her die, but the law forbids it. Jessica Krummacher’s second feature describes the most important of events via tiny details that stay with us and get under our skin.
A young woman finds herself struggling to maintain her mental health and grounded family life on a rural Dutch island when her capricious, city-dwelling thespian mother falls incurably ill and expects her increasingly regular company and assistance.
A young woman finds herself struggling to maintain her mental health and grounded family life on a rural Dutch island when her capricious, city-dwelling thespian mother falls incurably ill and expects her increasingly regular company and assistance.
Is our life a story? And if so, can we re-write it? In Drama Girl, director Vincent Boy Kars gets a young woman to act out a number of key scenes from her recent past. Perhaps, Kars thinks, this could help her come to terms with certain events. In the meantime, he also gains something: a film that probes how fiction and documentary can learn from one another.