Discover the history of the Chic Show ball, an iconic black music party in São Paulo. The event was a milestone in the life of São Paulo. Held in halls across the city in the 1970s and 1980s, the show became a meeting point for black culture and opened up space for funk, soul, rap and pagode, among other rhythms. The party welcomed names such as Tim Maia, Sandra de Sá, Gilberto Gil, Djavan, Bebeto and Carlos Dafé, as well as international artists such as Kurtis Blow, Betty Wright and James Brown.
In a dystopian future, the Brazilian government decrees a measure that forces black citizens to migrate to Africa in an attempt to return to their origins. Seeing themselves in the center of terror, two cousins take refuge in an apartment, where they debate social and racial issues, and share the same yearning for the change of country.
In a dystopian future, the Brazilian government decrees a measure that forces black citizens to migrate to Africa in an attempt to return to their origins. Seeing themselves in the center of terror, two cousins take refuge in an apartment, where they debate social and racial issues, and share the same yearning for the change of country.
To the beat of his avant-garde and eclectic rhythms, Brazilian rapper Emicida performs hits from his album AmarElo at the São Paulo Municipal Theater.
To the beat of his avant-garde and eclectic rhythms, Brazilian rapper Emicida performs hits from his album AmarElo at the São Paulo Municipal Theater.
Between scenes from his concert in São Paulo's oft-inaccessible Theatro Municipal, rapper and activist Emicida celebrates the rich legacy of Black Brazilian culture.
As the Sars-Covid 19 pandemic increased, Rubiane Maia was in Folkestone, England, and Tom Nobrega in Tarapoto, in the Peruvian Amazon. Both were surprised by the sudden need to cancel planned trips to Brazil, their homeland. The closed borders brought unusual situations and an unknown feeling of exile. As news from Brazil reaches the distance like rocks breaking their computer screens, blurring the line between what is personal and what is collective, the pair of friends share their bewilderment and try to find some resonance amid the overwhelming amount of information that floats the virtual space.
Through clippings, the film draws a narrative line between the construction of racism in Brazil and the United States, having as base the European invasion of the continent, police violence, the genocide of the black people, the massacre of indigenous peoples, religious violence, the criminalization of funk music, structural racism in art and education, the importance of quota policy and the need urgent historical repair as a commitment by the Brazilian state to the black people.
