Juliette goes back in her hometown to spend some time with her family. She finds herself between a loving but moody father, a New Age mother, a sister in the midst of an existential crisis, and a grandmother slowly losing her mind. Buried memories and family secrets rise to the surface in this sweet, tender and sometimes extravagant family portrait.
Using restored, colorized archives and testimonies from all the players in this conflict, this documentary covers the hundred days of apocalyptic fighting that wrote History. June 1944, the Allies landed in Normandy. This odyssey was meticulously prepared for months. The construction of two artificial ports, the transport of Anglo-American troops, their training cost colossal efforts, and caused many cold sweats: the secret of D-Day almost came to light several times. The documentary reveals the inner workings of Operation Overlord, it also deciphers the military operations, and evokes the choices of the high command. Placed at human level, it retraces the fate of Norman civilians subjected to deadly bombings, the attitude of the Allied soldiers and their German adversaries, as well as the aspirations of the French population, torn between fear and hope.
Laurence and Éric are the parents of Guillaume, aged 17. Guillaume is arrested by the police and is accused of rape with a weapon.
Julie would have given up all her dreams if she had listened to the doctors, her parents and others: the disease was threatening to suffocate her lungs. But the sixteen year old did as she pleased, devouring life to the fullest. Madly in love with her first flirt of the same age, she falls pregnant with him and decides to keep the baby. She hides her pregnancy from her parents, from the doctors, and come what may. Julie has defied the adult world, armed with a conviction in the form of a lesson for all: it is because life can be short that it must be intense.
Marc, a surgeon at a hospital, is murdered on December 31. When his ex-wife, best friend and a police lieutenant find themselves stuck in the same elevator, they emerge from it and realise they have moved a year back in time.
Annie becomes pregnant. Since she doesn't want to keep the child, she meets a movement that performs illegal abortions. But, in the seventies, Annie will encounter allies and opponents along the way.
Sébastien is a former rugby player and a true colossus. Between the ages of 12 to 16, he was a victim of rape by a beloved relative. Thirty years later, he has failed to speak out. After he meets a little colossus like him, he is compelled to make the right choice.
Clara, a lawyer in Annecy, leads a serene but monotonous life with her husband Damien and their two children. One night, she falls under the spell of a mysterious sculptor, Stéphane. This one torrid night will have dramatic repercussions for her and her family...
Drinking, dancing and... killing me. It's the new life my neighbour Jose has decided to live. What better way to escape boredom than coming to kill me every thursday? His wife, Lucie, prefers to go to a shrink. To each their own therapy.
Éric Caravaca (born 21 November 1966) is a French actor, film director and screenwriter. The son of an engineer, Caravaca (of Spanish origin) studied literature while taking acting lessons. After obtaining his degree, he left for Paris, where he joined l'École nationale supérieure d'arts et techniques du théâtre, and completed his formation at the Conservatoire national supérieur d'art dramatique. He then went to New York City in 1993, where he studied at the Actors Studio for a year. Upon his return to France, he began his career in theatre and gained attention in Samuel Beckett's Waiting for Godot. He made his film debut in 1996, in Un samedi sur la terre by Diane Bertrand. He played mostly small roles until C'est quoi la vie?, directed by François Dupeyron in 1999, which earned him the César Award for Most Promising Actor. He worked again with Dupeyron in La chambre des officiers in 2001, and appeared as Luc in Patrice Chéreau's film Son frère in 2003, opposite Bruno Todeschini. He directed his first film The Passenger in 2005, in which he also played a role (Thomas), opposite Julie Depardieu, which was presented at the Venice Film Festival. (Wikipedia)