The film is the personal story of a protagonist of our times and traces Carlo Martini's actions and thoughts, as he has remained faithful to its vocation and ideals. Through dramatic events (terrorism, Tangentopoli, labor crisis, conflict, loneliness) Carlo Martini interpreted losses and concerns of the people, who saw a free man and a non dogmatic prince of the Gospel Church. Thanks to the authenticity of his testimony he has been a reference point for believers and non-believers, a prophet of hope, a forerunner of Pope Francis.
Ermanno Olmi (born July 24, 1931 in Bergamo, Lombardy) was a renowned Italian film director. Olmi's films have been described as "humanistic and reflective, portraying everyday people in particular landscapes and locations, while at the same time being charged with social comment and poetic flashes." His films fit into the artistic mold of Italian neorealism, though Olmi argued, in an interview found on the Criterion Edition DVD of his 1961 film, Il Posto, that this was the artistic tradition he was responding against because he used non-actors in authentic locations whereas neorealism, he claimed, used professional actors. However, many neorealist directors also used non-professional actors for secondary and sometimes even primary roles. His films, like most of those considered to be products of the neorealist movement, are shot in long, slow takes, and generally contain some sort of social commentary.
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