Joseph learns that his son and his companion have just perished in an accident. They were expecting a child via a surrogate mother in Belgium. What will become of their future baby? Is Joseph the legitimate grandfather? Carried by the promise of this birth which will prolong the existence of his son, the sexagenarian goes to meet the young Flemish woman with a fierce and indomitable character.
A relentlessly ambitious working-class man becomes one of France's most controversial public figures in this fictionalized biopic about Bernard Tapie.
In 1930s Paris, Madeleine, a pretty, young, penniless, and talentless actress, is accused of murdering a famous producer. Helped by her best friend, Pauline, a young, unemployed lawyer, she is acquitted on the grounds of self-defense. A new life of fame and success begins, until the truth comes out.
Jean has been the conservative mayor of a small town for several years. He intends to run for another term. Edith, his wife, is the paragon of the traditional devoted housewife and mother. So it comes as quite a shock when she tells her husband of forty years that deep down, she has always been... A MAN! Totally blindsided, Jean didn't see this coming. For a politician campaigning on family values, this is too much! But Edith, still the loving wife, make a deal with him: she will postpone her transition and stay a woman until after the elections. But as we know, campaigns are all about digging up dirt to keep the rumor mill turning
It’s summertime, 2021. Isabelle Huppert plays Lioubov, Chekhov’s unforgettably heroine in The Cherry Orchard. In a near theatre, Fabrice Luchini recites Nietzsche. Both actors are premiering at Avignon’s Festival. When they leave backstage to stand out on stage, they are completely transformed. As everything seems utterly natural, audience does not imagine what happened before. By following their daily lives during the weeks preceding the premieres, Benoît Jacquot brings a singular perspective of the two actors and shows them like we’ve never seen before.
Fabrice Luchini was born in Île-de-France, Paris, into an Italian immigrant family, who were fruit and vegetable vendors. He grew up around the neighbourhood of Goutte d'Or in Paris's 18th arrondissement. When he was 13, his mother apprenticed him to a hairdresser in a trendy parlor on Avenue Matignon, where he would take the name of the hairdresser's son, Fabrice, in place of his real name, Robert. At the same time he developed a great interest for literature (Balzac, Flaubert, Proust). His passion for soul music (James Brown) made him a regular of discothèques. This is where he met Philippe Labro, who gave him his first role in Tout peut arriver in 1969. He then studied acting under Jean-Laurent Cochet. However, it was his collaboration with Éric Rohmer that would make him popular for Le Genou de Claire in 1970, in which he played a small role as an adolescent. He appeared in Rohmer's Perceval le Gallois, and Les Nuits de la pleine lune, and in films directed by Nagisa Oshima, Pierre Zucca, Claude Lelouch, Cedric Klapisch, Édouard Molinaro. Thanks to Jean-Laurent Cochet, he later discovered theater, his true passion, which he described as "the only place where life is expressed... something that no school will ever teach". However, it was his role in La Discrète, directed by Christian Vincent in 1990, that made him well-known to the general public. He divides his work between cinema and theater, where since 1980 he has had considerable success with readings from the texts of La Fontaine, Nietzsche, Céline's Voyage au bout de la nuit, Paul Valéry and Roland Barthes. Description above from the Wikipedia article Fabrice Luchini, licensed under CC-BY-SA, full list of contributors on Wikipedia