Spring 1942. Moscow schoolgirl Katya is corresponding with a cadet of the naval school Kostya, who is unknown to her. When sent to the front, his echelon must pass through Moscow, and they have a chance to meet ... Our days. Muscovite Katya, a talented violinist and a wild child, without realizing it, begins to follow in the footsteps of the history of Katya and Kostya, her peers from the war years. Will she be able to finish an amazing teenage love story that began years ago?
The love story of the son of Imam Shamil Jamalutdin and Lisa Olenina against the backdrop of the dramatic events of the military history of Russia in the first half of the 19th century. Jamalutdin went down in history as a "great hostage", and the film is an attempt to answer the question: a hostage of big politics or big love. The historical context of the decline of the Nikolaev era, against which the story of love and betrayal, honor and duty, service to the motherland and loyalty to this word unfolds, will become the key to the film.
Elizaveta Petrovna had just buried her husband, with whom she had lived all her life. The only daughter and the only grandson - that's the whole family, whose life was largely determined by the deceased. In the process of parsing her husband's things, she discovers a letter from her husband. It contains a secret that the head of the family kept from Elizabeth Petrovna for several decades, the story of his French love and a child born out of wedlock. The woman is trying to tell her daughter Valeria about this, but she has her own problems and interests, "not up to it." What to say about the grandson who lives in a separate, separate reality. It seems that in this family it is simply not customary to listen, let alone hear each other. But gradually, family members, each experiencing grief in their own way, find common ground.
Elizaveta Petrovna had just buried her husband, with whom she had lived all her life. The only daughter and the only grandson - that's the whole family, whose life was largely determined by the deceased. In the process of parsing her husband's things, she discovers a letter from her husband. It contains a secret that the head of the family kept from Elizabeth Petrovna for several decades, the story of his French love and a child born out of wedlock. The woman is trying to tell her daughter Valeria about this, but she has her own problems and interests, "not up to it." What to say about the grandson who lives in a separate, separate reality. It seems that in this family it is simply not customary to listen, let alone hear each other. But gradually, family members, each experiencing grief in their own way, find common ground.
