Victor is a world boxing champion, the idol of millions of fans, a star. Everything changes in an instant when, by a ridiculous coincidence, he becomes the culprit of an unintentional murder. After liberation comes the realization that there is no more fame, no more money contracts. In the absence of work, Victor agrees to participate in underground battles. However, no one expects him to win here either. Only his father remembers his glorious sporting past, and the twelve—year-old boy Kirill is a boarding school student with autism. Victor begins to train the boys from the orphanage, trying to change them and himself for the better. He will have to recreate himself, emerge victorious from all the troubles and remain human at the same time. The latter is especially important, because his boys are now looking up to him.
According to the plot, 13-year-old Sonya, her younger sister Anya and their mother move to live in the village. Relations with the locals do not add up, and there is little entertainment here. Unless you climb into an abandoned house, shrouded in stupid legends about an evil Dollmaker who allegedly steals children and makes puppets out of them.
The year is 1941. Nazi Germany has declared war on the USSR and begins launching air assaults on Moscow and St. Petersburg. Stalin immediately orders a retaliatory air campaign under the code name “Wings over Berlin.” The closest entry point to Berlin from the USSR border was an airfield on the Estonian island Saaremaa in the Baltic Sea. It would be a 7-hour flight over enemy territory in outdated aircraft leaving no chance of survival for the tail crew members in case of attack. Despite overwhelming odds, the first units completed the mission and made it back to base safely, unlike many others that followed.