After finding the soundtrack of Tararira, the only Argentine surrealist film shot in 1936, lost since then, and starring their great-grand uncles, the Aguilar brothers set out to unravel the family history at the crossroads of the great political events of the 20th century. It is also a story of El Cuarteto Aguilar, a very particular music band, which had an openly lesbian member in the first half of the last century. The discovery of the soundtrack of the lost film leads to a documentary collage that travels through Argentina, Spain and other parts of the world to ask again, one hundred years later, if perhaps the revolution is not also an aesthetic.
A history of Argentine horror cinema, from its beginnings in 1934 to present day. It is a path of defeat, dead-end streets and triumphs, where the protagonists will lead us through the lesser known hallways of local horror.
Fernando Martín Peña is an Argentine teacher, film critic, researcher and collector. He has published several books on film topics since 1991. Since December 2006, he has been conducting "Filmoteca, temas de cine" at midnight on Argentine Public TV. As a researcher, Peña has been responsible for the recovery of several films that were deemed lost or incomplete, such as an unknown 16mm copy of the Fritz Lang classic film Metropolis.