Lukas' mother has the last hours of her life left. Her biggest wish is for Lukas to have a child. So Lukas asks his neighbor Natalie, who is five months pregnant, to visit his mother in the hospital and tell her that she is going to have his baby. His mother is finally happy - Lukas fulfilled her greatest wish. Soon after, they receive some very happy news - a new heart donor has been found. After the operation, Lukas and Natalie must keep up the act to avoid upsetting his recovering mother. As they play the devoted couple, the web of lies expands, ensnaring family friends and Lukas's colleagues. The deception starts to turn Lukas's life upside down.
"A documentary anatomy of mass murder for one monitor and 34 talking heads." These are the words the filmmakers use in the credits to describe their project, which thematises the execution of more than 260 Carpathian Germans, Hungarians and Slovaks by Czechoslovak army soldiers near Přerov in June 1945. The “massacre at Přerov” is made present through a minimalist dramatisation of the interrogation footage of direct participants, eyewitnesses, and others. It is as if the characters of ancient theatre were entering the Zoom “stage” and delivering a tragic message of fear, hatred and disinterest across the chasm of time.