In a sparse and inhospitable land, the policeman Enzo Vitello, a man with a dark past, is obsessed with "Dostoyevsky", a serial killer whom he kills with a peculiarity: next to the body, the murderer always leaves a letter with his desolate and very clear vision of the world, of life and darkness that Vitello hears resonating in him.
Over the course of a day, Fausto, invincible in his inertia, watches a paradoxical procession of visitors pass by: the mellifluous parish priest of the town; a mysterious man with his absurd ghost-themed business idea; the captain of the Carabinieri who proposes a shotgun wedding to his daughter, who has become pregnant by a stranger. Finally, late at night, a couple of thieves enter the house with Barbara's complicity. Fausto surprises them, impassive and bored as always, and reassures them: there is nothing left, neither gold nor paintings, everything has been sold. The three do nothing but chat until the sun rises, when the thieves leave and Barbara puts the coffee on the fire.
Three different epochs through the gaze of three children: Zelinda, who loses her mother to the Spanish Flu during World War I and sees the specter of Nazism loom; Assunta, who lives during the Nazi occupation between bombings, raids, and executions; Icaro, who abandons the countryside during the Years of Lead (“Anni di Piombo”) and accepts a new life. A story across the difficulties and the troubles of the 20th century between memories, affection, nostalgia, and gratitude.
The film is freely inspired by the great actress Monica Vitti, but it is in no way a biopic. It is the story of a woman named Monica, who loses her memory and regains meaning in her life.
The story of Edgardo Mortara, a young Jewish boy living in Bologna, Italy, who in 1858, after being secretly baptized, was forcibly taken from his family to be raised as a Christian. His parents’ struggle to free their son became part of a larger political battle that pitted the papacy against forces of democracy and Italian unification.
In 19th-century Papal Rome, Bartolomeo is a wealthy and greedy parvenu who craves a noble title. While trying to raise the money he needs to strike a deal with a prince for the hand of his daughter, he'll find himself caught in a magical journey between past, present and future. Assisted by some rather illustrious companions, he'll have to come to terms with whom he really is and give his life a new meaning.
Near the end of WWII, a young bootlegger and his nightclub-singing girlfriend assemble a ragtag team for an dangerous heist: to steal Mussolini's treasure right from his headquarters.
From Wikipedia, the free encyclopedia. Filippo Timi (born 27 February 1974) is an Italian actor and writer. Description above from the Wikipedia article Filippo Timi, licensed under CC-BY-SA, full list of contributors on Wikipedia.