Four friends are tired of surviving by pulling small scams and running from the police. After a swindle that goes wrong, the quartet formed by Zoinhu, Linguinha, Mãodelo and Alãodelom comes across a robbery that could take them off the streets.
In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.