Silvestre, a down-on-his-luck film director, receives an invitation to have a meeting with a millionaire named Ricky. Silvestre decides to try his luck and present his project, a Mexican epic lasting more than three hours about the life of Benito Juárez. The date is at Ricky's house, a few hours from the city. Silvestre arrives at the meeting with enthusiasm, but things are not as planned and he is the victim of an elaborate prank.
A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.
Héctor Belascoarán leaves his corporate job and dull marriage to become an independent detective and tackle shocking criminal cases in 1970s Mexico City.
A Mexican biologist living in New York returns to his hometown, nestled in the majestic butterfly forests of Michoacán. The journey forces him to confront past traumas and reflect on his hybrid identity, sparking a personal metamorphosis.
Luisa and Gabino visit their parents in a mining town in the north of Mexico. Their father’s only interest in them is sparked by Luisa’s actor boyfriend when he acts out the role of a narco kingpin. To cope with family tensions, Gabino imagines a parallel reality of detectives and organized crime.
Deep in the jungle, a group of Mexican gum workers crosses their path with Agnes, a mysterious Belizean woman. Her presence enlivens the fantasies and desires of those men, without knowing that they have woken up an ancient Mayan legend.
Maria, forced to marry a bandit, escapes into the woods with El Toro, fleeing her fate. Rosario, in love with a murdered general, watches her grave at the foot of a volcano.
Gabino Rodríguez is an actor and writer, known for A tiro de piedra (2010), Perpetuum Mobile (2009) and La niña en la piedra (2006).