Edgar Wilson, a roadkill collector in rural Brazil, dreams of escaping his small-town existence with Nete, the love of his life. When Nete decides to join her family in an apocalyptic cult, Edgar finds himself at a crossroads. With the world on the brink of destruction, Edgar and his unlikely companion Tomás – a disgraced and excommunicated priest – embark on a dangerous road trip through a landscape plagued by chaos and despair.
An unattainable prize, the hidden truth, an attraction for someone already committed. Even the most difficult wishes can be fulfilled with just one call to the company Whatever, Whenever, which provides whatever you want, whenever you want. The price is low, but the cost is high: helping with another customer's order - no questions asked, whatever it may be.
Three brothers find themselves sharing a home with the alluring new wife of the middle sibling. As they become infatuated with the same woman, a complex and enthralling tale ensues in this tropical paradise.
An older man begins to work in a modern dairy factory. He feels distant and does not identify with the place, the people and even the society. Little by little, he is approaching cows and oxen, transforming into an animal and returning to his ancestry.
Despite having the scar that marks the domesticated, Juliana has to keep her freedom. Is romance the ultimate trap?
Despite having the scar that marks the domesticated, Juliana has to keep her freedom. Is romance the ultimate trap?
An employee at a film archive and his character imagine a film to make after work. With the voices of Eduardo Gomes, Gilda Nomacce, Julia Katharine, Juliana Albuquerque, Lucas Wickhaus and Tuna Dwek.
A film from the skater world of São Paulo, where it is women who call the shots. Bagdá is surrounded by self-confident role models in her family. However, outside on the streets, in the venues and clubs, the old machismo continues to dominate. Bagdá and her fellow comrades-in-arms confront it defiantly.
The story of the decline of the Soares family in the final months of the 19th century. Isabel is the dying mother, and her daughters are Maria and Ana. The three women try hard to forget about their pasts in the coffee farm and face the industrial times that start to take over Brazil.
Gilda Nomacce is a Brazilian stage, TV and film actress
