On a barren island, a mother and son confront years of silence and misunderstandings in writer-director Hanna Slak’s formidable fourth feature film starring Maren Eggert, scored by Amélie Legrand, and shot by Claire Mathon.
Frida unexpectedly falls pregnant and Felix, the father of her child, breaks up with her to reunite with his ex using methods which are absurd, exaggerated and often hilarious.
Kerstin is in great pain. Her daughter Juliane wants to help her die, but the law forbids it. Jessica Krummacher’s second feature describes the most important of events via tiny details that stay with us and get under our skin.
This is a story set in the distant past, in the seventeenth century, during the Thirty Years’ War. In the city of Nordhausen, in the Harz Mountains, life is cheap, and the prevailing class divisions and interpersonal relations increasingly intense. The children are taken away from their parents by force, and when they return after many years, they seem to be strangers to them. Yet this is also a story set in modern times where people are still incapable of learning the lessons left for them by the previous generations of cruel divisions. The film is a cinematic experiment dealing with the beauty, fragility, and imperfection of human nature through archetypes and myths.