Once assuming people ignored her because they weren't interested, Lili begins to suspect that she might be literally invisible.
Raymond and Robert Bidochon lead a dismal life in a suburban HLM. The change, so hoped for by Raymonde, could come from a reality show, Grand Bonheur, in which they participate.
In Lyon, where many are unemployed, Marie is a prostitute who loves her work: she's thoughtful and exuberant toward clients old and young, slim or flabby. One night, a homeless man sleeps in the foyer of her apartment house; she gives him a hot meal, then a place on the floor to sleep by her radiator, then she offers herself. She falls in love, giving him new life, clothes, a place to live. When he grouses that he must bar hop while she uses the flat for her work, she finds them a larger flat. He grows restless, seducing a manicurist and pressing her to prostitution. He's arrested for procuring, so Marie must decide what to do; he, too, must face the consequences of his choices.
The crossroads of three characters: an old doctor with a general view of the world, a mother having difficulties in recovering her baby that she abandoned, and finally her young sister, a high school runaway in the heart of the problems of the suburbs. All three will meet around the Platonic tripartition, taken up by Paul Valéry: "To know... To be able... To want... Here is the triple key".
A successful playwright reflects on his journey from his Armenian roots to adapting in France, forty years after his family's move to Marseilles. He now goes by a new name to fit in better with French society.
Suzanne is a former singer but also a seductress in her sixties. During a reunion meal with the former musicians of the orchestra that accompanied her on her tours, the young men in love with the lady all hope to seduce her. All except one, who mysteriously finds death in the elevator, hanging by his tie. A hecatomb among the suitors begins. An employee of the morgue decides to launch a personal investigation.
The adventurous and dangerous life of a nineteenth-century Anjou poacher hunted by the local justice system for several years. Betrayed by the woman who loved him, he is arrested and sentenced to deportation to Cayenne.
Ginette Garcin (4 January 1928 – 10 June 2010) was a French actress of stage, film and television. She lived in Audresselles, Pas-de-Calais. Ginette Garcin made her musical debut with Jacques Hélian and his orchestra in 1946. She then worked with Loulou Gasté and went on to appear in Strélesky's absurdist theatre revues in Rouen. Her portrayal of Charlot to the music of Deux petits chaussons was very well received. She collaborated with Colette Vudal (who later adopted the name Colette Monroy in Paris), Mona Monick and Robert Thomas, author of some successful detective plays. Garcin was one of the first to perform and record the songs of Boby Lapointe and Jean Yanne in the 1960s. In the 1970s, she embarked on a career in film and theatre, with guidance from Audiard, Lelouch, Yanne, Boisset and Tacchella. She appeared in the television series Marc et Sophie. In 1990, she wrote the critically acclaimed Le clan des veuves in which she starred alongside Jackie Sardou for four years. In 1997, she had an acting and singing role in Le passe-muraille, a musical comedy by Marcel Aymé with Didier van Cauwelaert and Michel Legrand. In her final decade, Ginette Garcin played a character in the television series Famille d'accueil as well as appearing in the films La Beuze and Les Dalton. A new version of Le clan des veuves was staged at the Bouffes-Parisiens theatre in 2006. Also in her later years she appeared in Raphaël Mezrahi's play, Monique est demandée en caisse 12. She died on 10 June 2010 at age 82 of breast cancer. Source: Article "Ginette Garcin" from Wikipedia in English, licensed under CC-BY-SA 3.0.
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