Jörn Donner’s entire production can be considered as a self-portrait, a life-spanning performance. Whilst others have painted one image or another of Donner, John Webster’s interpretation differs in that it pulls most of its material from Donner’s last-intended interview in December 2019, and an immense never-before-seen collection of photographs from albums simply labelled “Donner – Privat”. As a result, the film morphs into an epilogue of sorts, of Donner’s life story.
Harriet Andersson (born 14 February 1932, Stockholm) is a Swedish actress, known outside Sweden for being part of one of director Ingmar Bergman's stock company. She often played impulsive working class characters and quickly established a reputation on screen for her youthful, unpretentious, full-lipped sensuality. She disdains the use of makeup. Description above from the Wikipedia article Harriet Andersson, licensed under CC-BY-SA, full list of contributors on Wikipedia
