Police officer Lucie’s solitary daily life is disturbed by the arrival of a young couple and their little girl who move in next door. As she grows fond of them, she discovers that the father is an anti-police activist.
At the end of his life, gravely ill, François Truffaut took refuge with his ex-wife Madeleine Morgenstern. She tried to keep him occupied during his long agony. The filmmaker confided in his friend Claude de Givray, with the intention of writing his autobiography. Too weakened, he abandoned the project. The film reveals part of this final story.
At the end of his life, gravely ill, François Truffaut took refuge with his ex-wife Madeleine Morgenstern. She tried to keep him occupied during his long agony. The filmmaker confided in his friend Claude de Givray, with the intention of writing his autobiography. Too weakened, he abandoned the project. The film reveals part of this final story.
Sidonie Perceval, an established French writer, is mourning her deceased husband. Invited to Japan for the reedition of her first book, she is welcomed by her local editor who takes her to Kyoto, the city of shrines and temples. As they travel together through the Japanese spring blossoms, she slowly opens up to him. But the ghost of her husband follows Sidonie: she will have to finally let go of the past to let herself love again.
Isabelle Huppert's first one-character project — out of the blue, an electrifying, form-smashing tour de force, capturing (for those with ears to hear) our current moment.
Lars Eidinger is one of Germany’s most talented and versatile actors with his love of improvisation and physical acting style. This documentary seeks to dispel some of the mystique surrounding this exceptional actor’s unique art and also provide an exciting insight into the world of theatre and filmmaking.
The true story of Maureen Kearney, the head union representative of a French multinational nuclear powerhouse. She became a whistleblower, denouncing top-secret deals that shook the French nuclear sector. Alone against the world, she fought government ministers and industry leaders, tooth and nail to bring the scandal to light and to defend more than 50,000 jobs.. Her life was turned upside down when she was violently assaulted in her own home... The investigation is carried out under pressure: the subject is sensitive. Suddenly, new elements create doubt in the minds of the investigators. At first a victim, Maureen becomes a suspect.
In 1930s Paris, Madeleine, a pretty, young, penniless, and talentless actress, is accused of murdering a famous producer. Helped by her best friend, Pauline, a young, unemployed lawyer, she is acquitted on the grounds of self-defense. A new life of fame and success begins, until the truth comes out.
It’s summertime, 2021. Isabelle Huppert plays Lioubov, Chekhov’s unforgettably heroine in The Cherry Orchard. In a near theatre, Fabrice Luchini recites Nietzsche. Both actors are premiering at Avignon’s Festival. When they leave backstage to stand out on stage, they are completely transformed. As everything seems utterly natural, audience does not imagine what happened before. By following their daily lives during the weeks preceding the premieres, Benoît Jacquot brings a singular perspective of the two actors and shows them like we’ve never seen before.
The Catholic Church secretly investigates Caravaggio as the Pope weighs whether to grant him clemency for killing a rival.
Isabelle Anne Madeleine Huppert (born 16 March 1953) is a French actress. Described as "one of the best actresses in the world", she is known for her portrayals of cold and disdainful characters devoid of morality. Nominated for a record sixteen César Awards, she has won two. Among other accolades, she has received six Lumières Award nominations, more than any other person, and won four. In 2020, The New York Times ranked her second on its list of the greatest actors of the 21st century. Huppert's first César nomination was for the 1975 film Aloïse. In 1978, she won the BAFTA Award for Most Promising Newcomer for The Lacemaker. She went on to win two Best Actress awards at the Cannes Film Festival, for Violette Nozière (1978) and The Piano Teacher (2001), as well as two Volpi Cups for Best Actress at the Venice Film Festival, for Story of Women (1988) and La Cérémonie. Her other films in France include Loulou (1980), La Séparation (1994), 8 Women (2002), Gabrielle (2005), Amour (2012), and Things to Come (2016). Among international film's most prolific actresses, Huppert has worked in Italy, Russia, Central Europe, and in Asia. Her English-language films include: Heaven's Gate (1980), The Bedroom Window (1987), I Heart Huckabees (2004), The Disappearance of Eleanor Rigby (2013), Louder Than Bombs (2015), Greta (2018), and Frankie (2019). In 2016, Huppert garnered international acclaim for her performance in Elle, which earned her a Golden Globe Award, an Independent Spirit Award and a nomination for the Academy Award for Best Actress. She also won Best Actress awards from the National Society of Film Critics, New York Film Critics Circle and the Los Angeles Film Critics Association, for both Elle and Things to Come. Also a prolific stage actress, Huppert is the most nominated actress for the Molière Award, with seven nominations. She made her London stage debut in the title role of the play Mary Stuart in 1996, and her New York stage debut in a 2005 production of 4.48 Psychosis. She returned to the New York stage in 2009 to perform in Heiner Müller's Quartett, and in 2014 to star in a Sydney Theatre Company production of The Maids. In 2019, Huppert starred in Florian Zeller's The Mother at the Atlantic Theater Company in New York. Description above from the Wikipedia article Isabelle Huppert, licensed under CC-BY-SA, full list of contributors on Wikipedia.