23 years in the making, “Pereio, Eu Te Odeio!” is a documentary on legendary Brazilian actor Paulo Cesar Pereio, an irreverent and controversial artist and public figure, as told by the testimonies of friends, family, and society members who hate him.
A journey through 40 years of life of the most important Film Festival in Portugal, through the voice of its President and Director, Mário Dorminsky and Beatriz Pacheco Pereira. Born at a coffee shop table in the "Invicta" - Porto City, with a subsidy of 15 "contos" (75EUR), since 1981 it hasn't stopped bringing us cinema, and given its weight and peculiarity, The project developed and soon became a reality, with the screening of several sessions a day, the realization of retrospectives and, also, in parallel, the promotion of concerts and art exhibitions. It is considered the biggest film festival in Portugal, and internationally recognized as one of the most important worldwide, and is now entering its 40th edition.
A totally Cardoso-appropriated footage delirium, done as a tribute to US independent cinema's original rebel. In the end, Corman himself blesses Cardoso by saying: "You blended horror, sex and humour very well. And particularly the editing is very good because the film never lagged or slowed down". Which film? This one!
Ivan do Espírito Cardoso Filho (Born in Rio de Janeiro, October 1st, 1952) is a Brazilian photographer and filmmaker. Cardoso's early career is mainly associated with experimental short films such as 1971's "Nosferatu no Brasil' (Nosfaratu in Brazil), starring poet and songrwriter Torquato Neto, of whom Cardoso was a good friend. Though his work as an experimental filmmaker continued to develop in short films through a career that spans for over four decades, his most famous and recognizable feature-length movies are the ones that mix horror and comedy elements, described by Cardoso as "terrir" ("terror" + "rir", which is a word for "laugh" in Brazilian Portuguese). "As Sete Vampiras" (The Seven Vampire Ladies), "O Segredo da Múmia" (The Secret of the Mummy) and "Um Lobisomem na Amazônia" (A Werewolf in the Amazon Rainforest) are prominent films among Cardoso's terrir works. Documentaries on fellow Brazilian filmmakers, such as Glauber Rocha and José Mojica Marins, and on plastic artists such as avan-garte icon Helio Oiticica also figure among his filmography. He mantains channels in websites such as YouTube and Vimeo, where lots of his short films, from the most well-known to the most underground ones, are avaliable for free.