David (Jiří Macháček) has one task: to investigate paranormal cases. But he doesn't feel like it. It's the 1980s, and there are a lot of annoying people who call each other "comrade." He doesn't believe in anything paranormal anyway. He prefers to sit in his office, pretending to work on research into satanic references in Western music, and enjoys listening to LPs that no one else in the country has. The world would be beautiful, but his superior assigns him a new colleague, Vojta (Jan Cina). This overzealous newcomer talks about pushing the boundaries of human knowledge and how science doesn't have answers to all the mysteries of the world yet. This mismatched duo has no choice but to cooperate in investigating bizarre cases that all other security forces in the state can't handle. To make it harder, they are constantly monitored by a pair of StB agents – the tough agent Snížková (Anna Fialová) and the sweetheart Hora (Leoš Noha).
This darkly grotesque drama unfolds on multiple paths. The tangible one, now cruel, now crazy, along which the nomadic actor "Dad Mour", his wife "Mum" and two sons try to return home, but also the imaginary one, even more, tortuous and dusty, on which the often impressive mental youth (or immaturity, a scrooge might say) is welded with life circumstances forcing the protagonist to wise up. An anxious and exuberant cinematic faerie about love, the fear of loneliness and the gaze of sons fixed on their fathers.
Helena, is about to give birth and face a rosy future in a modern city, as the pregnant wife of an important factory manager. However, all her illusions soon perish, as the dead body of a newborn intersex baby is found in the middle of their factory. Helena needs to find out what happened here for the safety of her own child, but she runs into her own prejudices.
Viktor Hudák, Prime Minister of a small European country, is ending his career in politics and returning to everyday life. However, when his successor radically overturns all the policies that he spent a lifetime building he quickly realises there is very little power in being an ex-Prime Minister.
Two men, one in a stolen vehicle and the other drunk, drive along a backroad to avoid city traffic. Suddenly both cars collide with an SUV and they are unwittingly drawn into a game of survival with a deranged rifle-wielding assassin out for blood.
It follows young alchemist Amélie as she acquires a magical power: partially influencing the flow of time. But she is split in time, and Amélie from the present meets Améliw from the past, who accompanies her every step of the way.
The short film "Next" is a light dramedy that shows the afternoon shift of a fresh detective. Sketches of objects are accumulating on his wall, the thefts of which people are constantly coming to report to him. However, the light-hearted plot is followed by a serious conclusion, which reveals one of the current problems of today - a corrupt society. The period visuals of the set represent a mix of different periods, which adds timelessness to the idea itself.
Beata Parkanová, the filmmaker behind Moments, returns to Karlovy Vary with an exceptionally vivid portrait of the family of notary Václav Vojíř, a small-town moral authority, and his selfless wife Věra. This masterfully told and highly original intimate drama, whose protagonists undergo a difficult ordeal in the summer of 1968, is reinforced by finely wrought, exquisite performances from Martin Finger and Gabriela Mikulková.